Glossary
Thanks to this glossary, you can quickly familiarize yourself with the main concepts and terminology used in SecuTix. This glossary will ease your understanding of the guides and support of training available on your documentation site.
Term | Description | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Access control | Automated entrance (and/or exit) control of an audience. This type of system can only be implemented where the tickets have optical or magnetic markings. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Access rights | Access rights give an individual the right to use some or all of the SecuTix features. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Activity | A series of events of the same type during a season (a live performance, a festival, visits, etc.). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Activity profile | A collection of single-entry items that a sales channel may sell for a specific activity. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Actual availability | The difference between the capacity of the room (excluding any invalidated seats) and the number of seats sold. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Administration identification number | Various numbers or codes are allocated to organisations (VAT number, SIRET, APE, etc.) or to different functions (producer licence number, organiser licence number, distributor licence number, etc.). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Advantage | A ticketing component enabling a customer to obtain a discount on prices for the associated items. In addition, it may allow certain products to be purchased outside of the official sales window. An advantage may be one of the following types:
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Agency | The intermediary between the organisation and the end customer of the seat or service. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Alternative reservation | Synonymous with 'Fallback solution'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Alternative venue | An alternative venue function allows an event organiser to allow an audience to move swiftly from one location to another when the audience is already perhaps ensconced in the first venue. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Anonymous sale | A paid distribution of tickets or services to an unnamed group of attendees. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Armchair | A seat with a back and arm rests. It is a very comfortable seat and an armchair will be found in the best seat category in the house at any show. It may be numbered or unnumbered. The armchair is one of the options in the seat quality parameter. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Association | A legal entity which is made up of a number of different people (audience or potential audience) who have joined it because of their interest in it. Associations are made up principally of communities and workplaces. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Audience | Actual or potential spectators or visitors to a performance, an event, an activity, a season, an organisation or an institution. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Audience category | General category (occasional visitor, guest, etc.) allows the audience to be classified according to its relationship with the event organiser. The available audience categories are:
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Audience display | A display screen where spectators may see where they will be sitting, with real time updates as seats are selected by the operator. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Audience subcategory | Audience classification according to the relationship between the audience and the organisation as well as social status (occasional or frequent attendee, adult, child, pensioner, unemployed, full rate season-ticket holder, reduced rate season-ticket holder, etc.) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Authorised currency | A unit of currency other than that of the organisation, which has been authorised by them as valid for payment of services. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Availability | The number of seats remaining inside the venue across all contingents. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Average basket | The average order value of a contact over a specific period. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Badge | A season ticket or membership badge is usually a plastic card that identifies the carrier as a season-ticket holder or member. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Bank agreement | An arrangement made with a contact in order to:
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Basic service | Optional extras (services) which may be purchased stand-alone with no conditions attached. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Basket | A collection of progressive operations carried out when placing an order. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Beneficiary | Anyone who benefits from a ticketing product or a piece of merchandise sold by the organisation. Unlike a cultural contact, this beneficiary is not a known contact of the organisation and therefore cannot be targeted for promotional activities. The beneficiary concept makes it possible to identify all attendees at a concert or a match. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Best selection | An automatic process which grants a member of the audience the best possible seat. Seat selection depends upon the venue configuration, the type of show and the seat category. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Billing contact | This is the person to whom the bill will be sent. The billing contact is the person responsible for paying for the products ordered (or one of them in the case of multiple buyers). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Block | Areas are divided into blocks. This is optional and generally only used at large capacity venues (for example stadiums) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Box office | A sales channel at a geographical location where would-be spectators can physically go and purchase tickets. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Bundled product | A term which refers to both season tickets and packages. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Calendar | A complete schedule by date and time of every performance of every event in a given period. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cancellation | A decision taken by a member of the audience or the organisation to cancel all or part of an order. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cancellation invoice | Synonymous with 'Invoice reversal' but no longer used in SecuTix | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Capacity | The maximum number of simultaneous admissions for a logical configuration and sales configuration. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Card | A season ticket or membership card is usually a plastic card which identifies the carrier as a season-ticket holder or a member. The card may contain an ID chip (RFID card). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cash | Coins or banknotes in a particular currency. Coins may be counted in tubes and banknotes in bundles. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cash desk | All of the financial operations which occur during the sale of tickets or services.
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Cash desk transfer | This is when an operator adds or removes money to and from the cash desk but it is not considered to be a settlement. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cash desk variance | This can occur at any time when there is a difference between the amount of money taken and the totals recorded at the cash desk. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cashing up | An authorised member of staff will remove all monies/payments before the final closure of the cash desk. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ceiling | A term relating to costs which means either the maximum cost of a ticket (charges) or when placing an order (overheads). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Charges | An amount that pays for the specific service costs of a sales channel when processing an order for a ticketing item (reservation costs, management costs, agency costs, cancellation costs, etc.). These costs are calculated per ticket and related to the type of operation carried out (sale, cancellation, etc.). These costs may be a fixed amount, or a percentage of the ticket price, in which case the amount may have a floor and/or ceiling. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Charges table | The charges that an organisation determines for an individual event. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Closure | Final and irrevocable closure of all commercial and financial operations relating to the activity which is closing (performance, event, activity, season). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cohort | Part of a large visitor group which has been allocated its own guide. If the group is too large to be properly managed by one guide, it may be split into different cohorts for the tour. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Community | A group of people who may or may not know each other and who have clubbed together to take advantage of preferential ticket rates. In SecuTix, communities are a type of structure. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Competition | A competition is a sporting event made up of a series of matches, with two teams playing against each other at a predefined venue and at a given date and time. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Complimentary ticket | A ticket provided free of charge (often called a 'comp'). These are mainly seats reserved by law for authorised and official representatives (doctor, fire service) and guest seats. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Composed product | Synonymous with 'Bundled product' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Conditional service | Optional extras (services) offered to customers if they purchase another product or are a member of a specific audience category. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Configuration | Synonymous with 'set up' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Contact address | The primary or secondary address of a contact. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Contact criterion | A criterion (socio-economic class, professional status, education level, etc.) which is part of a package of data that an institution or an organisation would be ideally want to hold about every contact. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Contact indicator | SecuTix compiles contact information automatically. The indicator usually contains information about the spending habits of a contact and may be used to target contacts in promotional activities. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Contact quality | The characteristics of a contact (type of guest, loyalty, etc.), defined or assessed for a particular season. These characteristics make it easier to define the relationship between a contact and an organisation each season. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Contact role | The function of a contact in the context of their personal or professional life. Each individual and each structure can have a contact role. The possible role types are:
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Contingent | The pre-booking of selected zones or seats at a venue for a particular show with the intention of saving them for certain audience categories or sales channels. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Contingent release | A function within the system which allows the contingent of a seat, a group of seats or an area to be changed. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Control point | 1. The point where pass-outs and free tickets issued just before the show are given out by the Office (synonymous with 'Standby desk'). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Counterfoil | Part of the ticket which is retained by the ticket controller as customers enter the venue, if ticket control is manually supervised. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Credit | A credit balance belonging to a contact. A credit may be used to purchase items. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Credit | An accounting method which allows an organisation to supply tickets to a customer before they are fully paid for. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Credit note | This type of invoice accompanies a refund or invoice reversal. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cultural contact | Anyone who benefits from a ticket or a piece of merchandise sold by the organisation. This contact is established by the buyer at the actual time of purchase. For example: the buyer purchases a ticket himself and for another member of his family who is also a known contact of the organisation. This second person is now a cultural contact. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Cultural history | A complete list of activities (numbered and unnumbered seats, season tickets, memberships, packages, services) of an audience member, whether an individual or a structure. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Dated pass | A ticket which permits multiple visits to a venue from a start date specified at the time of purchase. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Deferred payment | Payment that may be made in the future. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Deposit | Part payment of the cost of a ticket reservation. This part payment will confirm the reservation but does not constitute a sale. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Different types of settlement methods | A settlement method may be one of the following types:
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Direct payment | Payment made immediately when ordering the product. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Dispatch | A sales channel which uses a courier service to deliver items. This channel is less and less popular. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Distributor | A third-party company which sells tickets for events or visits organised by an institution which uses the SecuTix system. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Donation | A gift offered to an institution. The donor may choose a preset donation value or choose any value he likes. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Duplicate |
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Electronic funds transfer system | See 'Payment services providers' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Entrance | The physical entrance to allow a spectator to gain access to a venue. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Equipment | The components of a workstation. This may consist of a PC and screen as well as peripheral devices to complete the sale, control and production of tickets and receipt of payment. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Establishment | A synonym for 'organisation'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
E-ticket | A synonym for 'paperless ticket' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Event | A show which may be of a cultural or sporting nature, staged by an organisation and designated as a product (a 'single entry' item) as indicated in the ticketing catalogue. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Exchange | This function is used when all or part of an order needs to be changed and may require extra payment or a refund. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Exchange rate | The value of a foreign currency authorised by the institution and the currency of the institution itself so that change may be given and an accurate cash balance maintained. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Exhibitor contact | A contact (for example an exhibitor at an exhibition) who can generate single-use codes for use specifically by his clients or prospects. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
External order | An order received from an external sales channel. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
External sale | A sale conducted through an external sales channel (such as Fnac or Ticket net). Sales of this kind are carried out by an automated link or by sending out quotas. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Fallback solution | This function allows the audience to choose an alternative reservation date in the event that the preferred date is not available. This function is primarily used in season ticket and postal reservations. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
File | 1. Full details about an audience member (an individual or a structure) whose name is known to the organisation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
File contacts | The purchase contact of a file, also called a file contact, is the person who placed the first order (by date) in the file. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Final cash desk closure | The time when the cash desk operator finally closes his workstation for the day. When this happens, he produces the cash desk statement, confirms the contents of the till corresponds to the statement and takes all the payments to the manager in exchange for an acknowledgement slip. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Financial history | A complete list of payments between an individual or structure contact and the organisation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Floor | Term relating to costs which means either the minimum cost of a ticket (charges) or when placing an order (overheads). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Fold up chair | A seat with a collapsible back which is usually placed next to an armchair at the end of a row. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Function | Any operation in the SecuTix system that may be used by the operator provided they have the appropriate rights. The functions are grouped under different system modules. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Goods product | Synonymous with 'Merchandise product'; this term is being phased out in SecuTix. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Grace period | The amount of time that the organisation allows the audience to enter a performance after curtain up. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Group | A group of people who have clubbed together in order to take advantage of preferential ticket rates. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Group criterion | A criterion attributed to a visitor group. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Group ticket | A group ticket gives several people admission at the same time. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Guest | A member of the audience who does not pay for his entry ticket or only pays the applicable tax. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Guide | These are the guides who provide visitors with a commentary. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Guide | See Guide contact | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Hospitality | Those services on sale with seats at a match (for example a meal, a glass of champagne) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Hospitality bundle | A selection of hospitality options purchased at the same time with each option linked to a single match. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Individual | An independent spectator, visitor or member of a structure whose surname and first name as a minimum are known to the organisation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Institution | A legal entity that is contractually entitled to use the SecuTix ticketing system. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Internal sale | Sales carried out through an internal sales channel. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Invalidation | A function within the system which allows a venue seat to be marked 'invalid' because of a problem with it. In that case, the seat may not be sold or offered to a member of the audience. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Invoice | An accounting document which shows the quantity, nature and amounts charged for different services. The totals are split to show the price after tax, before tax and the VAT component. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Invoice reversal | This document cancels an invoice, usually because the original invoice contained an error or was addressed to the wrong person. Once an invoice has been issued, it may not be modified. For that reason, any amendments to an invoice must be made using an invoice reversal followed by issuing a replacement. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Logical area | A physical area in which it is possible to ascertain the seat categories and quotas. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Logical configuration | A logical representation of a venue, associated with a physical configuration. The logical configuration defines the different seat categories as well as any contingents. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Logical seat | The 'logical' location of a venue, which is usually numbered and where a spectator may sit to watch an event. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Logo | Acronym, picture, symbol or emblem represented by a graphical image. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Loyalty | The behaviour of dedicated fans who attend all or some of the events from season to season. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Main audience categories | Groups of similar audience categories: occasional, season-ticket holders, season-ticket holder non-season ticket, members, guests. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Marketing offer | Any products, services or advantages which are offered to an anonymous or named target group (contact list). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Membership | After careful consideration and a high degree of confidence in the policies of an organisation, an individual may decide to support it by investing a significant amount of money, without necessarily buying seats or services. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Merchandise product | An item of merchandise; managing this is the responsibility of the company that uses SecuTix. The SecuTix system offers stock control and merchandise replenishment. Merchandise may be freely classified under two categories: family and theme. There may also be subcategories of the main categories. For example, the family may be the type of item (a book, an item of clothing or a pair of shoes) and the theme the area of interest it relates to (classical music, football) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Mixed seating | A room in which the seating is numbered in one or several zones and unnumbered in others. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Multipayment | Synonymous with 'Multiple payment' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Multiple payment | Payment made using several different settlement methods (synonymous with multipayment) | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Named sale | A paid distribution of tickets or services to a named group of attendees. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Non-contingent | Within a logical configuration or a sales configuration, these are seats which have not been pre-booked in a defined contingent/quota. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Non-dated pass | A ticket which permits multiple visits to a venue (a museum or theme park). The pass is valid over a certain period of time and there is no need for the customer to indicate the start date at the time of purchase. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Non-season ticket | An event may be deemed 'non-season ticket' when it is excluded from that particular season's special season-ticket rate. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Numbered | A space or area or where the seats and/or rows are numbered. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Numbered seating | A room or area where each seat is numbered and specifically assigned to a spectator (either named or unnamed). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Occasional | An individual or corporate contact who does not purchase a season-ticket or membership during the season and is not invited as a guest. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Office returns | This feature helps to manage offices that are not connected to a network. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Official | Synonymous with 'protocol'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Official representative | Regardless of the type of show, it is never possible to sell all the seats as some are reserved for certain people who are legally obliged to be present during the performance. The two principal official representatives are the house doctor and the house fire officer. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Opening up the cash desk | The point at which the operator of the SecuTix system accesses the 'Sales' function. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Operation | A line of an order concerning any specific product subject to pricing options (prices or advantages). An operation has both a type and a kind
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Operator | Any user of the ticketing system who is a member of an organisation with access rights for at least one of the functions of the SecuTix system. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Operator profile | The group of rights granted to an operator based on one or more operating methods. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Operator role | The operator profile assigned to a specific operator, set up by an organisation or specific sales channel. The set of tasks performed by an operator will decide what access rights they are granted in the system. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Option | An unconfirmed reservation order for a number of seats at an event or specific performance; or an order to reserve a certain number of season tickets for a specific offer. Option status can be any of the following:
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Option overbooking | Exceeding the sales capacity before all seat options have been assigned. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Option parameter | A set of parameters either to define how seating options should be managed for a particular activity; or how season-ticket options should be managed for a season. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Optional extra | Synonymous with 'service'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Optional variable field | Any non-essential variable field which may contain detailed information about an event or a performance (creator, producer, language, etc.). Each variable must be assigned a value in order to be used. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Order | A sequence of ticketing or service operations relating to an order arriving from a spectator at the same time, in the same sales channel, at the same physical workstation for the same operator. Possible order types are as follows:
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Organisation | A legal entity which produces, managers or hosts cultural or sporting events and has a ticketing system managed by an institution. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Overheads | The general operational costs to the sales channel when processing an order for a ticketing item (administrative costs, credit card commissions, costs of extending credit, etc.). These overheads are calculated per order, either for all payment methods or based on a specific method (payment only). Overheads are calculated as a fixed amount or a percentage; if they are calculated using a percentage, the amount may also have a floor and/or ceiling. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Overheads table | The overheads that the institution determines for an individual sales channel. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Package | A group of linked products (for example single entry plus service) which is sold simultaneously and has a specific product identity. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Paperless ticket | A ticket generated directly by a member of the audience or by a box office using an ordinary A4 printer (print@home ticket) or using a similar media (SMS, MMS, etc.). Using a ticket like this (also called an E-ticket) requires computerised entry control at the event. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Partner | See Partner contact | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Partner contact | A contact responsible for staging a particular product (for example an event or visit). This type of contact is necessary when the organisation is playing the role of distributor. In this case, the partner contact represents the theatre or the museum for whom the distributor is selling tickets. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Paying contact | A person responsible for paying or who has paid for a product or service. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Payment by direct debit | With this kind of staged payment, the instalments are paid by a direct debit instruction. The organisation is authorised to take money from its customer's bank account after getting him to sign an automatic payment agreement. This bank agreement is identified by its unique mandate reference, sometimes called by its acronym (UMR). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Payment due date | This is the date on which an expected payment is due. The status of a bank direct debit can be any of the following:
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Payment in instalments | Synonymous with 'Staged payment'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Payment service provider | A service provider responsible for managing credit card payments or even automatic transfers from a contact's bank account into the account of an organisation or institution. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Performance | Showing of an event for which the audience needs a paid or complimentary ticket. All performances take place on a specific date at a specific time and in a specific location. Performance status can be any of the following:
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Performance cancellation | This procedure allows the refund or exchange of all seats already purchased and the exchange or cancellation of all reservations because the performance itself has had to be cancelled. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Physical area | Any part of a venue which (for every physical configuration) may be clearly, physically defined. This type of area may contain numbered or unnumbered seats but not both at the same time. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Physical configuration | Numbered and mixed: a representation, which is as accurate as possible, of the geographical distribution of physical zones and seats within a venue together with their individual characteristics. In both cases, there is a seat map included in the physical configuration. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Physical desk | Synonymous with 'Workstation'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Physical seat | The 'physical' location of a venue, usually numbered, where a spectator may sit to watch a show. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Point of sale | The specific location of an internal sales channel where sales take place. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Postponement | This is where an organisation may replace one ticket with another. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Press | Guests invited from the press. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Price level | The basic price for tickets may vary (with discounts of 10%, 20% etc.) based on the season ticket or membership in which it is included. Prices are configured according to the main audience categories of 'season-ticket holder' and 'member' and then available for use in price tables and applied to other types of season ticket and membership. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Printer tax number | The number assigned directly by a certified printer and stamped on the back of both parts of the ticket. This number sequence continues from ticket book to ticket book or screen to screen. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Printout | Printing hard copies of all documents showing (in general terms) the state of the ticketing operation from an accounting perspective at that precise moment. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Producer | See Producer contact | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Producer contact | A producer of live entertainment. This contact is similar to a partner contact, particularly when it is not necessary to distinguish (from a financial or administrative perspective) between the venue and the producer of an event taking place at that venue. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Producer ticket | A ticket provided directly by the producer of the show, granting access to the holder independently of SecuTix, which does all the event management but does not print the tickets. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Product family | A group of products which are similar and are managed in the same way. A family of products is described using types and subtypes. Within the SecuTix system, you have the choice of the following products:
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Product profile | A collection of items other than single-entrythat a sales channel may sell for a specific season. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Product quota | The maximum number of products for sale. A season-ticket quota would mean a fixed number for sale which cannot not be exceeded for a particular type of season-ticket. These quotas are normally calculated based on available capacity. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Product type | Product type enables the system to classify the different ticketing products. A product type may be associated with all products except events. Operators are free to create their own product types. Products sold at the box office are automatically classified by product type. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Prospect | An individual or structure that has not yet joined the organisation but whose name has been recorded because they might be interested in future events. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Protocol | A distinguished guest invited because of their administrative or political authority. Synonymous with 'Official'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Purchase history | A complete list of ticket purchasing operations between an individual or structure contact and the organisation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Rate type | A general attribute (standard, matinee, weekend, première, etc.) which groups performances together where the entry tickets are the same price (for the same seat category and audience subcategory). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Rates table | Basic price table for 'single entry' type products. This table contains the institution's price list, displaying its prices in the institution's main currency by audience subcategory and seat category. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Refund | The return by the organisation of the cost of a ticket to a member of the audience. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Relay | The person who acts as an interface between their community or group and the organisation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Relay contact | See relay. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Replenishment | The act of restocking merchandise by an organisation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Reseller | Synonymous with 'Distributor'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Reservation | A booking which will be confirmed in due course but which secures a seat in the venue. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Reserve | A precise synonym for 'contingent' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Room/Space | An enclosed space (which can be monitored by access control) where events and visits may take place. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Rows | A number of adjacent seats normally identified by letters of the alphabet. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Royalty cost | The name given to the royalty value of guest seats, not be confused with 'comps'. Tickets sold at the 'royalty cost' recoup approximately the cost of royalties incurred by the organisation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Safe capacity | The maximum number of simultaneous admissions authorised for a physical configuration. This safe capacity is determined by a specialist, independent committee. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Sale seat | A seat in a venue, usually numbered, where a spectator may sit to watch a performance and to which he is entitled as a result of buying an entry ticket. Seat status can be any of the following:
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Sales area | An area where seats are for sale, effectively a configured area (therefore by extension, a geographical area in a venue) for a performance taking place in a particular logical configuration. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Sales calendar | The window created for sales of single entries for a specific activity. There are different sales windows for different audience categories. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Sales channel | This is where an audience may buy tickets (box office, telephone, internet, Fnac, Tourist Office, ticket agency, etc.). Some sales channels are internal and linked directly to the ticketing system whereas others are external, do not access the ticketing system and work on a system of contingents.
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Sales configuration | The representation of the sales plan of a venue, relating to its logical configuration. The individual status of each seat is described in the sales configuration. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Sales period | The length of time during which items are available for sale to all or some audience categories. The sales period is part of a sales calendar | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Season | The time period during which the activity or activities of an organisation take place. Very often, the season begins in September and ends in July. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Season tickets | A contract between the company and its customers which offers seats for purchase at reduced rates in return for a commitment to attend a certain number of events.
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Season-ticket overbooking | Exceeding the quota allocated before season ticket options have been confirmed. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Season-ticket topic | The specific theme of a season ticket. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Seat category | The key characteristic of a numbered seat or an unnumbered area which means that it may be displayed on a geographical or event map. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Seat freezing | This is where the status of a seat (or a group of seats) is effectively locked (for example it may not be sold) until it is released. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Seat map | A highly detailed picture or sketch of the layout of seats in a venue together with their individual characteristics. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Seat quality | The kind of seat associated with a physical seating space (armchair, chair, fold up chair, etc.). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Seat release | A function within the system which allows options or unconfirmed reservations to be withdrawn. In this case, the ticketing manager will cancel any unpaid reservations or options and put the seats back on sale. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Self-service box office | A ticket vending machine with limited or comprehensive computer-based functionality, where customers may perform various ticketing related tasks without the help of a box office cashier. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Service | Optional extras (programmes, DVDs, parking, etc.) or everything an audience may need apart from the ticket itself. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Settlement | A generic term which embraces all forms of payment and refund. Settlement status can be any of the following:
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Settlement method | A method of processing purchase or refund transactions within the ticketing system (settlement Is synonymous with payment/refund). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Settlement type | Role or function associated with settlements. SecuTix offers the following settlement types:
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Settlement type | Different types of payment or refund, the rules of which vary from country to country. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Shipment contact | A contact to whom a a delivery is sent, whether hard copy or paperless. The shipment normally contains tickets together with some documentation (for example a summary of contents). | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Show | Synonymous with 'Event'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Show | Synonymous with 'performance'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Show | Synonymous with 'event'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Single entry | A specific product family which relates to numbered and unnumbered seats. In this case, a product means an event. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Site | A location comprising one or more venues. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Space quota | The pre-booking of selected zones within an unnumbered venue for a particular show with the intention of saving them for certain audience categories or sales channels. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Spectator | A member of the audience, who buys a ticket to watch live entertainment. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Staged payment | Payment made over a number of stages. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Start | Synomous with 'Cohort' but no longer used in SecuTix | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
State | Several entities (types of data) in SecuTix depend on a status (for example 'Preparing', 'Validated', 'Cancelled', ' Closed', etc.) which calls for stringent management procedures. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Structure | Synonymous with 'Association' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Stub | Part of a paper ticket which remains stapled inside the ticket booklet. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Sub-topic | A detailed description of the content of an event, linked to a topic. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Supplier contact | A contact who supplies merchandise for sale in the organisation's shops. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Suspense account | Payment from a suspense account is when the cultural organisation offers credit to a contact. The balance in a contact's suspense account is the amount owed to the cultural organisation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Suspension | This function temporarily interrupts a performance, a timeslot, an event, an activity, a season, a product, a point of sale or a sales channel. When one of these entities has been 'suspended', it may no longer be offered for sale. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Tariff | Synonymous with 'Audience subcategory' | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Tariff area | Any area with a logical configuration or a sales configuration where the seats are the same category. This is synonymous with the term 'Logical seat category'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Telephone box office | A sales channel where a number of operators are available to take requests over the phone from members of the public. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Temporary cash desk closure | A time when the cash desk operator temporarily closes his workstation. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Theme | An overall description of the content of an event (opera, dancing, musical, ballet, recital, etc.). This attribute makes it quick and easy to search sales channels when looking for an event where neither the name nor the date of the performance is known. This attribute is particularly useful in a website search box. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Theoretical availability | The difference between the capacity of the room (excluding any invalidated seats) and the number of seats sold and reserved. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Thermal ticket | Any official entry ticket produced at the venue using a thermal ticket printer. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ticket | An official document which entitles the holder to enter the enclosure detailed on the aforementioned ticket. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ticket model | Logical mapping of a ticket template during a season. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ticket template | Any physical description of the overall shape and content of an entry ticket whether it is a ticket or a card. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ticket type | Since tickets do not all have the same function, they are divided into different types: standard ticket, E-ticket, pass-out ticket, etc. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ticketing catalogue | A collection of different options specific to ticketing for the forthcoming season (events, performances, etc.) including the corresponding prices, charges and so on. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ticketing item | A product item in a ticket catalogue. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Ticketing product | A collection of ticketing products to be sold or given to an audience. The main products are events, season tickets, passes, packages, memberships and services.
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Ticketing tax number | The number assigned directly by SecuTix allowing the system to identify all elements allowing the ticket in question to be issued. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Till receipt | This is an invoice but one that has been printed by a cash register and is simply a till receipt or credit card slip. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Timeslot | The date and time in a season during which guided or self-guided visits are possible at a particular venue. Timeslot status can be either of the following:
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Timeslot pass | A ticket which restricts a venue visit to a specific date and time, provided spaces are available. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Title | Contact characteristic: Mr, Ms, Miss, Sir, Dr etc. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Topic | The subject of a guided visit. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Transport | A transport pass which allows a contact to travel to the show or a visit. As a general rule, SecuTix passes control to an external transportation system to get a quotation and produce a ticket. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
UMR | Unique Mandate Reference See 'Payment by direct debit'. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Unallocated seating | A room or area where a member of an audience may sit or stand anywhere he chooses. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Unnumbered | A seat or an area which does not have an identification number. Both standing and seated places may be unnumbered. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Unspecified product | A product used for accounting adjustments or one which represents more complex products, managed outside the SecuTix system. The operator sets the price and applies a description at the time the sale is made. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
User | Anyone using the SecuTix ticketing system. This may be a supervisor, an operator or an online customer. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
VAT code | The internal code representing an applicable VAT rate, not representative of the actual rate to be applied at any one time. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Venue location | The physical location of a cultural or sporting venue. A location must have at least one venue, one room and one physical configuration. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Viewing mode | When using this mode in a computer system, a user can request the display of additional information that is not normally displayed in the current function. An operator (with the necessary access rights) may view the seat map, the seating availability by category and quota as well as seating rates at any time, and so on. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Visit | An entry ticket for a show which does not include live performances. Visit status can be any of the following:
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Visit pass | A ticket which permits the visitor to take part in a visit to a particular venue at a specific date and time, provided spaces are available. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Visitor | A spectator who has an entry ticket for a show which does not include live performances. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Visitor group | A group of people taking part in a guided visit at a venue at a specific time. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Voucher (gift) | Vouchers may be used to pay for purchases. The value of a voucher may exceed its purchase price. Vouchers may be used once only with the option of giving change if they are worth more than the purchase. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Waiting list | When all seats have been taken, a waiting list contains the names of those whose orders cannot be immediately accommodated. | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Workstation | Specific apparatus designating a point of sale. It is equipped with a certain amount of equipment. |
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